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), 'you must have a valid licence for FL Studio (Academic versions do not qualify) and all the plugins used in your project, before you can use anything from FL Studio in any commercial production.' Their EULA also states the following under '7. User obligations': tl;dr: No, you cannot sell songs made with the Demo version of FL Studio. Sound packs ready for fl studio. Sounds inside the final folder are neatly organized. Importing your sound packs into fl studio. Below you will find a full step by step tutorial on how to import sound packs into FL studio, its very simple drag and drop, or you can select and import the whole folder into FL Studio.

So you've mixed your latest production and it's time to master it? While mastering engineers are often the best option, if you want to master your own tracks in FL Studio here's 8 essential tips.

Let’s take a look at some mastering tips for FL Studio users. There are two primary ways of mastering. You can either apply mastering to your song on the mastering output, orr you can export out your song and then pull it back into FL Studio as an audio track and then master the stereo audio track. I’ll leave this method up to you, but the latter is a better way to go as you'll be less inclined to make changes to the mix while you master.

1—Cut Your Lows for Headroom

Try adding a low cut and cut everything below 40 Hz. This cuts out any inaudible frequencies that the human ear can’t hear and take up valuable headroom in the mix. So add a Fruity Parametric EQ 2 and then apply a low cut.

2—Use a Multiband Compressor

You have two multiband compressor options in FL Studio. The Fruity Multiband Compressor, or Maximus. I would recommend using Maximus as its features are more advanced. How Maximus works is that you have three bands (Low, Mid, High) where you can set the frequency range for each, and then also a single band master compressor on the effect. This gives you added control over your audio through the frequency range, plus you can gel the bands together with the single band master compressor.

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For example, you could apply a heavier compression setting over the 0–200 Hz region where you bass and kick usually sit, and this won’t affect elements in the higher registers like the cymbals and hats. So decide where you want the band splits to be by soloing each band and then moving over to the right view to adjust the frequency amount.

And then you can see the result of the compression on each band by switching to the monitor view. So tailor the amount of gain for each band, plus the Attack and release times. What I find really cool is that you can even draw in unique threshold curves in the graph. It’s actually very easy setting the threshold this way on the graph.

I like to apply a harder compression on the Low band and increase this slightly. Then I apply slightly less compression to the Mid band. And then for the High band, I don't apply compression, just gain for a bit more high-end detail in the track.

With the Master band, you use this as a single band compressor to gel all the bands together. Just apply a subtle compression here to help even out the compression on the track.

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3—Adding in Saturation

With Maximus, you can also add in some slight saturation per band, also known as harmonic exciting. With the threshold, you have two modes: Mode A or Mode B: and you can choose what percentage of the mode you want to add by moving the dial left or right from the center. With the ceiling dial, when you start decreasing this you’ll hear it imparts the saturation on the band.

4—How About Another EQ

After the multiband compression, you might want to make some EQ adjustments. If so, then add another Fruity Parametric EQ2. I sometimes find a slightly high EQ boost can help bring back some of the high-end detail that got removed through the compression. But this isn’t always necessary. So only use this if you find you need to do some EQ adjustments after the compression.

5—Some Reverb

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What also helps to gel the elements together and give your track a sense of a space that it belongs in is to add some reverb. You can either use the algorithmic Fruity Reeverb2, or the convolution Fruity Convolver reverb if you want to use a real space. Less is more here. Too much and the song will become muddy. So drop the Wet dial to about 10% or less.

6—Hard Limiter

The last effect to add to your mastering chain is the Fruity Limiter. This will maximize the perceived volume of the whole mix, plus help prevent any clipping on your master output. Set the output to -0.1dB to stop it from going over 0 dB, and then increase the Gain to maximize the overall perceived level of your song.

7—Mixer States

What’s great about FL Studio is that you can save different Mixer states, and re-use them in other songs. So, for example, let’s say you’re mixing a whole album and want to apply the same mastering settings across the album, then you can use this technique. What you do is you go to the drop-down arrow on the top left of the Mixer window, then go to File > Open > Save Mixer State as…

Then when you go to a different song, you can navigate to the same menu and choose open Mixer state. This loads your master output state to the new song. You can also drag and drop these presets from the browser onto the master output channel.

8—Dither and Export

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When you’re happy with your mastering, make sure to apply dither to your exported song Go to File > Export. Choose your format. Probably the best is to choose a lossless format such as WAV. Then give the file a name and click save. A Rendering dialog box will launch. Expand the quality section, and make sure to enable Dithering and HQ (High Quality) for all plugins to get the best audio results.


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Those are a few handy techniques to use to get the best out of mastering your songs in FL Studio. Try them out in your next mastering sessions.

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